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Book Title: The Medieval Reader|
The author of the book: Norman F. Cantor
ISBN 13: 9780062720559
Format files: PDF
The size of the: 433 KB
Edition: Collins Reference
Date of issue: June 15th 1995
Read full description of the books The Medieval Reader:The only book of its kind, The Medieval Reader is a fascinating, illustrated collection of almost 100 first-hand accounts of the period known as the middle ages, roughly from the fourth to the sixteenth centuries. Revealing the medieval world in all its astonishing diversity, the selections reflect the culture of the people who lived during the period, and the contributions they made to their world and our own.
Including, in the best translations, familiar texts such as The Song of Roland, St. Augustine's Confessions and Dante's Divine Comedy, the book also contains the work of many less familiar writers, including prominent medieval women such as Hildegard of Bingen, Christine de Pisan and Margery Kempe. Finally, with the inclusion of many selections illustrating medieval social history, such as The Peasants Revolt of 1381 from the Anonimalle Chronicle, The Medieval Reader brings the Middle Ages to life in a way that no narrative history could.
Read information about the authorBorn in Winnipeg, Canada, Cantor received his B.A. at the University of Manitoba in 1951. He went on to get his master's degree in 1953 from Princeton University and spent a year as a Rhodes Scholar at the University of Oxford. He received his doctorate from Princeton in 1957 under the direction of the eminent medievalist Joseph R. Strayer.
After teaching at Princeton, Cantor moved to Columbia University from 1960 to 1966. He was a Leff professor at Brandeis University until 1970 and then was at SUNY Binghamton until 1976, when he took a position at University of Illinois at Chicago for two years. He then went on to New York University, where he was professor of history, sociology and comparative literature. After a brief stint as Fulbright Professor at the Tel Aviv University History Department (1987–88), he devoted himself to working as a full-time writer.
Although his early work focused on English religious and intellectual history, Cantor's later scholarly interests were far more diverse, and he found more success writing for a popular audience than he did engaging in more narrowly-focused original research. He did publish one monograph study, based on his graduate thesis, Church, kingship, and lay investiture in England, 1089-1135, which appeared in 1958 and remains an important contribution to the topic of church-state relations in medieval England. Throughout his career, however, Cantor preferred to write on the broad contours of Western history, and on the history of academic medieval studies in Europe and North America, in particular the lives and careers of eminent medievalists. His books generally received mixed reviews in academic journals, but were often popular bestsellers, buoyed by Cantor's fluid, often colloquial, writing style and his lively critiques of persons and ideas, both past and present. Cantor was intellectually conservative and expressed deep skepticism about what he saw as methodological fads, particularly Marxism and postmodernism, but also argued for greater inclusion of women and minorities in traditional historical narratives. In both his best-selling Inventing the Middle Ages and his autobiography, Inventing Norman Cantor, he reflected on his strained relationship over the years with other historians and with academia in general.
Upon retirement in 1999, Cantor moved to Miami, Florida, where he continued to work on several books up to the time of his death.
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