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Ebook Don't Fence Me In - a screenplay by Jeremy James read! Book Title: Don't Fence Me In - a screenplay
The author of the book: Jeremy James
Language: English
ISBN 13: No data
Format files: PDF
The size of the: 12.14 MB
Edition: Jeremy James
Date of issue: January 9th 2011
ISBN: No data

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This screenplay is set in the mid 1980's. At a Country and Western Dance in the tree-top tossing dark of the Welsh borders, two plumber cowboys get waylaid by a bet to ride two horses from where they live to the Rhondda Valley, fifty miles distant, dressed as they are: Hannibal Hayes and Kit Currie. Neither of them has ever been near a horse before. The bet goes horribly wrong. Horses are lost, ambushes beset them, they wind up in a chase, hearts are broken, noses are broken, bones are broken, a girl is lost, a girl is found, a young man's dreams are answered in a way he could never have imagined, as, forced to grow up and see the folly of his actions, he realises too that had it not been for the folly of his actions, he would not have gained what he does. Life is a paradox, with or without horses.

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Ebook Don't Fence Me In - a screenplay read Online! JJ has spent his life working in developing countries with cattle and horses, and once, with Rendili, Masai, Samburu and Somali drovers walked a herd of 86 camels from Somalia to Tanzania. In the 1990s, during the last stages of the Balkan Wars, he ran the State Lipizzaner Stud in Bosnia. He has worked with horses of burden in economically deprived communities across the world: from the rubbish dumps of Mexico city to the gharry horses of Ethiopia, from the horses of the Hmong people of Northern Vietnam, the working horses of the Fijian tropical interior, the tonga horses of Lahore, to the village horses of Eastern Turkey and of Morocco. He has travelled on horseback, writes about horses although from a different perspective from the norm. He has contributed material to broadsheets, magazines, television, film and radio embracing within his interests, art, history, vernacular architecture and more abstract matters, usually with some rural slant. Having had the great good fortune to have been born and brought up in Kenya and having worked with rural peoples and their animals all around the world he has developed his own outlook on man's association with the natural world, which both informs and is reflected in, his work.


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